Aneta Grzeszykowska
#Photographe
Aneta Grzeszykowska est née en 1974 à Varsovie, en Pologne. Elle vit et travaille à Varsovie.
- Livre
Découverte du Surréalisme en photographie
Travestir la réalité, la transformer, la symboliser ? C'est le propre de la photographie capable, tout en captant le réel, d'exprimer quelque chose de tout à fait autre.
« Le Spectre du surréalisme, Survivance du surréalisme dans la photographie contemporaine» est le dernier ouvrage coédité par le Centre Pompidou et l'éditeur Textuel. Il s'agit en réalité du catalogue de l'exposition du même titre visible aux Rencontres d'Arles et réalisé par les deux commissaires d'exposition : Daramis Amao et Karolina Ziebinska-Lewandovska. Au cœur de se projet : étudier les réminiscences du surréalisme dans la photographie actuelle, par un parcou... - Exposition
Exhibition : Aneta Grzeszykowska
Press release - In her pictures Aneta Grzeszykowska not only depicts the bodies of her multiple avatars, but also makes evident their ostensible, momentary existence, their fading and inescapable death.
At times, she goes even further and shows their irrelevance. The exhibition features photographs from series representing various periods of Grzeszykowska’s art, such as Love Book, Acrobat Book, Negative Make Up, Negative Book, and Selfie, as well as her film Negative Process, a video documenting her work on Negative Book. The film can be interpreted as Grzeszykowska’s statement on her art, where revealing the technical aspect does not affect the deeper, truly relevant layer.
Aneta Grzeszykowska, Negative Make Up (Red), 2016 © Aneta Grzeszykowska. Courtesy of the artist and Raster Gallery in W... - Exposition
Exhibition : « Situations » at Fotomuseum Winterthur
Fotomuseum Winterthur is launching a new exhibition format titled Situations, which allows to react more quickly to developments within photographic culture.
Ryan Trecartin, "Junior war", 2013
With Ryan Trecartin’s Junior War we enter the world of “the most consequential artist to have emerged since the nineteen-eighties” (New Yorker), virtually through the back door. The film was produced in 2013 as a frenetic re-montage of scenes that Trecartin shot with a handheld camera during his last year of high school. The night-vision lens transforms dancing, drinking, speeding, and joking adolescents into green, shimmering beings with spooky eyes that almost seem to be from another world. They are the radical and real precursors to Trecartin’s post-human, composite beings that later appea... - Exposition
Mois de la Photo 2012 : exposition du Centre Culturel Suisse
Vito Acconci (US), Laurie Anderson (US), Nobuyoshi Araki (JP), Richard Avedon (US), Anne de Vries (NL), Valie Export (AUT), André Gelpke (D), Nan Goldin (US), Aneta Grzeszykowska & Jan Smaga (PO), Peter Hujar (US), Barry Le Va (US), Ulrike Lienbacher (AUT), Urs Lüthi (CH), Anetta Mona Chisa (RO) & Lucia Tkácová (SK), Robert Morris (US), Marianne Müller (CH), Paulina Olowska (PO), Walter Pfeiffer (CH), Rockmaster K (CH), Ugo Rondinone (CH), Igor Savchenko (RU), Lorna Simpson (US), Annelies Strba (CH), Hannah Villiger (CH).
Since its creation in 1993, the Fotomuseum Winterthur has become one of the most important institutions devoted to contemporary photography. Today its international collection comprises some 4,000 works, collected through a purchasing policy, gifts or permanent loans. Since 2003... - Exposition
«Body Language» œuvres de la collection du Fotomuseum Winterthur au centre Culturel Suisse
Dans le cadre du Mois de la Photo à Paris, novembre 2012
Avec : Vito Acconci (US), Laurie Anderson (US), Nobuyoshi Araki (JP), Richard Avedon (US), Anne de Vries (NL), Valie Export (AT), André Gelpke (DE), Nan Goldin (US), Aneta Grzeszykowska & Jan Smaga (PO), Peter Hujar (US), Barry Le Va (US), Ulrike Lienbacher (AT), Urs Lüthi (CH), Anetta Mona Chisa & Lucia Tkácová (RO/SK), Robert Morris (US), Marianne Müller (CH), Paulina Olowska (PL), Walter Pfeiffer (CH), Rockmaster K (CH), Ugo Rondinone (CH), Igor Savchenko (BY), Lorna Simpson (US), Annelies Strba (CH), Hannah Villiger (CH)
Depuis sa création en 1993, le Fotomuseum Winterthur s’est imposé comme une des institutions les plus importantes consacrées à la photographie contempo... - Exposition
European Photography - Reggio Emilia Human, alltoo Human
On Wednesday 30th April European Photography meets again in Reggio Emilia. This annual international festival is curated by the art critic Elio Grazioli and promoted by the Municipality of Reggio Emilia.
Umano troppo umano (Human, all too Human) is the title and key theme of this third edition of Fotografia europea, dedicated to the controversial concept of the body, explored in its many and sometimes radically contrasting meanings.
As a result of our multi-disciplinary approach, numerous temporary exhibitions will be organised until 8th June 2008.These will be joined by a calendar of over one hundred events in the opening days from 30th April to 4th May, including lectio magistralis, conversations, seminars, workshops and performances in several places around the city. The photographers, artists and critics invo...
Modifier l'image
Travestir la réalité, la transformer, la symboliser ? C'est le propre de la photographie capable, tout en captant le réel, d'exprimer quelque chose de tout à fait autre.
« Le Spectre du surréalisme, Survivance du surréalisme dans la photographie contemporaine» est le dernier ouvrage coédité par le Centre Pompidou et l'éditeur Textuel. Il s'agit en réalité du catalogue de l'exposition du même titre visible aux Rencontres d'Arles et réalisé par les deux commissaires d'exposition : Daramis Amao et Karolina Ziebinska-Lewandovska. Au cœur de se projet : étudier les réminiscences du surréalisme dans la photographie actuelle, par un parcou...
Press release - In her pictures Aneta Grzeszykowska not only depicts the bodies of her multiple avatars, but also makes evident their ostensible, momentary existence, their fading and inescapable death.
At times, she goes even further and shows their irrelevance. The exhibition features photographs from series representing various periods of Grzeszykowska’s art, such as Love Book, Acrobat Book, Negative Make Up, Negative Book, and Selfie, as well as her film Negative Process, a video documenting her work on Negative Book. The film can be interpreted as Grzeszykowska’s statement on her art, where revealing the technical aspect does not affect the deeper, truly relevant layer.
Aneta Grzeszykowska, Negative Make Up (Red), 2016 © Aneta Grzeszykowska. Courtesy of the artist and Raster Gallery in W...
Fotomuseum Winterthur is launching a new exhibition format titled Situations, which allows to react more quickly to developments within photographic culture.
Ryan Trecartin, "Junior war", 2013
With Ryan Trecartin’s Junior War we enter the world of “the most consequential artist to have emerged since the nineteen-eighties” (New Yorker), virtually through the back door. The film was produced in 2013 as a frenetic re-montage of scenes that Trecartin shot with a handheld camera during his last year of high school. The night-vision lens transforms dancing, drinking, speeding, and joking adolescents into green, shimmering beings with spooky eyes that almost seem to be from another world. They are the radical and real precursors to Trecartin’s post-human, composite beings that later appea...
Vito Acconci (US), Laurie Anderson (US), Nobuyoshi Araki (JP), Richard Avedon (US), Anne de Vries (NL), Valie Export (AUT), André Gelpke (D), Nan Goldin (US), Aneta Grzeszykowska & Jan Smaga (PO), Peter Hujar (US), Barry Le Va (US), Ulrike Lienbacher (AUT), Urs Lüthi (CH), Anetta Mona Chisa (RO) & Lucia Tkácová (SK), Robert Morris (US), Marianne Müller (CH), Paulina Olowska (PO), Walter Pfeiffer (CH), Rockmaster K (CH), Ugo Rondinone (CH), Igor Savchenko (RU), Lorna Simpson (US), Annelies Strba (CH), Hannah Villiger (CH).
Since its creation in 1993, the Fotomuseum Winterthur has become one of the most important institutions devoted to contemporary photography. Today its international collection comprises some 4,000 works, collected through a purchasing policy, gifts or permanent loans. Since 2003...
Dans le cadre du Mois de la Photo à Paris, novembre 2012
Avec : Vito Acconci (US), Laurie Anderson (US), Nobuyoshi Araki (JP), Richard Avedon (US), Anne de Vries (NL), Valie Export (AT), André Gelpke (DE), Nan Goldin (US), Aneta Grzeszykowska & Jan Smaga (PO), Peter Hujar (US), Barry Le Va (US), Ulrike Lienbacher (AT), Urs Lüthi (CH), Anetta Mona Chisa & Lucia Tkácová (RO/SK), Robert Morris (US), Marianne Müller (CH), Paulina Olowska (PL), Walter Pfeiffer (CH), Rockmaster K (CH), Ugo Rondinone (CH), Igor Savchenko (BY), Lorna Simpson (US), Annelies Strba (CH), Hannah Villiger (CH)
Depuis sa création en 1993, le Fotomuseum Winterthur s’est imposé comme une des institutions les plus importantes consacrées à la photographie contempo...
On Wednesday 30th April European Photography meets again in Reggio Emilia. This annual international festival is curated by the art critic Elio Grazioli and promoted by the Municipality of Reggio Emilia.
Umano troppo umano (Human, all too Human) is the title and key theme of this third edition of Fotografia europea, dedicated to the controversial concept of the body, explored in its many and sometimes radically contrasting meanings.
As a result of our multi-disciplinary approach, numerous temporary exhibitions will be organised until 8th June 2008.These will be joined by a calendar of over one hundred events in the opening days from 30th April to 4th May, including lectio magistralis, conversations, seminars, workshops and performances in several places around the city. The photographers, artists and critics invo...