Dorothy Kerper Monnelly

Dorothy kerper Monnelly

#Photographe
No landscape photographer at work today has done more to focus attention on the spectacular beauty of New England's threatened coastal marshes than Dorothy Kerper Monnelly. Her body of work has helped inspire a growing movement to protect this fine-tuned, biologically rich ecosystem—long maligned as a wasteland—from human encroachment and irreversible damage. Legendary naturalist Edward O. Wilson had called her "the Ansel Adams of the wetlands."

Monnelly's connection to the salt marsh is visceral, not intellectual. For more than 35 years, her life and work on the Massachusetts coast has been inextricably tied to the rise and fall of tidal creeks, the seasonal shifts in the marsh's flora and fauna, and the ever-changing skies illuminating the shifting dunes and prairielike sweep of spartina alterniflora. For Monnelly, the salt marsh is both artistic muse and spiritual anchor, a place that inspires her work as an artist and grounds her life as a community member, activist, and woman. Her photography succeeds in evoking this long-overlooked landscape's bracing, mysterious power through visual works that have an abstract, rigorously applied power all their own.